“A work of art is finished, from the point of view of the artist, when feeling and perception have resulted in a spiritual synthesis.” Hans Hofmann
When I was young, I, like many young boys, enjoyed drawing, it was a nice way to get away. I remember putting into paper naval battles, air battles, Star Wars battles… yup, a little belligerent and agressive. Then started drawing football players (a different kind of war, but war none the less), and sometimes soccer players, worked my way up to flowers, isolated eyes and more complex things. When I was around 12 I started attending drawing classes, my first and only work there was the drawing of a mayan building as it was discovered by a spanish expedition, there was a big sky, the building itself and way too much vegetation. When I was halfway through it, I stopped attending the school, it was way too slow, and way to detailed for my taste. I also remember drawing a rendition of an Iron Maiden poster, it was Stranger in a Strange Land. It showed Eddie dressed in a Clint Eastwood coat and hat. Trough the open coat one could see the body of Eddie, a yellow skeleton with muscles and electronic and mechanical parts intertwined, for some reason this drawing was something that I was going to deliver as homework. I did the hat, then face and the chest and part of the abdomen, and without modesty I can tell it was going great, awsome, the shadows and light were there, giving the impression that the drawing was coming out of the page, the trace were lines in the paper, but the colored parts were jumping out of it. I felt the usual rush that one gets when halfway trough a job well done, the little pinch of pride was there, glowing. Then I took the dark purple pencil and started coloring a shadow on the yellow skelleton right next to the coat… the result, in my eyes, was merciless, horrible, it completely ruined the whole thing, from top to bottom. In a split second, rage boiled inside, tears came to my eyes, my fists where two red stones with white knuckles, maybe there was even foam coming out of my mouth, or something like it, because although I was being loud and nasty, no one dared come to the door of my room, after a little steam had been vent, my father came to my room and very calmly asked me what was going on, I could barely express any rational thought, so I half explained and pointed at the shameful rendition on my work table, as if I was pointing to a rotting carcass on the floor. My dad eyes wondered on the table, came to the paper and glared top to bottom and top again… finally he turned to me with a little admiration, fear and confusion all mixed on his face and asked: “What are you talking about? I don’t see anything wrong in it.” I screamed my answer to him, pointing directly to the unforgivable mistake on the paper, he said again that there was nothing wrong with it, it was a little odd, but surely it could be fixed or obviated when the drawing was finished, in his eyes no one would notice it. I wanted to start all over again, trace it, and colored it all over again, it was a sunday no stationary store open, no more paper to do it. Still mad, I finished the thing, and presented it at school. Next, I bought another piece of paper, started doing the drawing, trace it, colored it, came to the point when I had to color the problematic shadow, did it, looked at it, appreciated it for a minute or two, then I put the paper on the table, put away the color pencils, and never finished the rest of the drawing.
I studied design, and all the way through school I did illustrations with color pencils, Eddies, warriors, dragons, landscapes, flowers, cars and a couple of drummers. After school I kept drawing as a hobby, by then I was drawing comic book heroes, and a couple of Darth Vader portraits. Something that remained with me all the time, was the anger I felt when I made a little mistake, and also when realizing that the finished drawing was not “perfect”, I could always find the mistake, the wrong light or shadow. And this came accompanied with a ting of anger, dissatisfaction and a little shame. My friends always told me that I could become an artist, that studying design was a mistake, I should go to art school and become an artist. I always dismissed this as compliments from their part, also I could not draw or paint a portrait that looked exactly like the person I was trying to draw or paint, ever. So after a few years after school I stopped drawing altogether.
Some thirteen years passed, some months ago I took a piece of paper, a pencil, a photograph of a blue jay and tried to draw the little blue bird, the trace was awful, disproportionate, of course I just let it there and didn’t come back to it. Recently, after coming into coaching, I decided that I wanted to push my own boundaries, and getting motivation from my daughter, my little brother and a new friend, I decided to take drawing lessons again.
The day came and there I was, faced with a blank piece of paper, and a still life to copy from, did my grid and started tracing… suddenly I was transported to the land of wonders, it was all there, the flowing of the hand, the feeling of the pencil against the paper, the shaping fo the objects, but now every sensation, every look back forth from the paper was enhanced. I let it flow and at the end I was surprised with the end result, a beautiful still life with awesome lights and deep shadows. Then decided to dive into the deep end, took a portrait of Mr. Bean and decided to copy it, grid it, traced it and applied shadows, the teacher came, looked at it, surprised at the result, showed it to his wife who is the co-responsible for the classes, then congratulated me and went back to the class, I was hypnotised by my own drawing, then my friend came closer to me and whispered, it’s so much better than the one you copied it from, it was a moment of pure joy.
From that moment on, I’ve been drawing comic book characters, pin up girls, and yes, portraits. The other day I was in session with my coach and she asked me, what I felt was different now in my drawing. The question hit me and stopped me cold, I had felt it but not thought about it, it was a world of difference. After a moments thought I answered that now I am more patient, mistakes are made but I don’t dwell on them, I don’t let them beat me or anger me at all, they are after all, part of the process. Then I went on to tell her that my hand is so much softer, my trace is lighter, I don’t hurt the paper anymore. At last I came to the most important part, and that is that now I let things flow, I let them be, I let the drawing come out of the paper as opposed to put it into it. At that point I remembered the story of Michelangelo, that when asked about his David, he said that it was already in the block of marble, that all he did was take out what was around it. I’m not Michelangelo of course, I’m not a sculptor, hahahahaha. Seriously, I’m not that as big an artist, but I understand what he meant. When we let things flow from us, and form everything around us, they just are, they appear in front of us naturally. When we work towards a goal detached from that goal, it becomes a natural process, and we flow with it. We prevent ourselves from becoming a slave of that goal, we learn more from the process, the process becomes the goal and the goal become the process.
Some of my portraits look a little the person I’m portraiting, some not. But in the end they are beautiful, they all are alive, they all come out of the paper and invite us all to their world. Now, I draw knowing that within every blank page already lives a face, a dancing body, a flying super hero, a deep pair of eyes with a gaze into infinity, a landscape that may or may not be from this world, my job is only to open the window that will allow us to look into their world, my hand only accompanies the pencil and lets the drawing flow out of the paper. Fellow Traveler, I invite you to let things be, to let them flow and then flow with them, patience will come along, and I’m sure it will give you a feeling of love for whatever you do, happines, then, can be the only obvious result.
Until we meet again or I have a chance to draw something for you, I leave you Peace, Love and Light.
Copyright©2011 Leonardo S. Sevilla B. All Rights Reserved